Monday, February 23, 2026

Mercy (2026)


Set in one of those near-generic near-future gone awry environments which you would probably hesitate to describe as 'speculative', Mercy does have one or two interesting observations to make about the potential use of AI within a justice system — though for plot purposes these have been shackled to the need for an all-encompassing 'public' cloud which offers zero protection for personal privacy, plus a really quite ludicrous imposition of time pressure.

For this set up to work things have to be paced 'just so'. By this I mean the director needs to be able to throw a given quantity of detail at the audience such that they will likely remain satisfied even if they really only take in c80% of it, and the action must propel itself forward in such a way that nobody really has that much time to ponder some of the sillier conceits on display. (Or indeed dwell too much on the overall predictability.)
I have to say that Timur Bekmambetov came through for us in these respects.
Rebecca Ferguson is excellent again, because another of the tightrope walks here is the projection of empathy in the simulation, entirely through facial signals.
It did make me ponder whether AI judges like Maddox might even be a good thing here in Guatemala. In a case in which I was involved a couple of years ago one of the witnesses for the defence (who was not actually a witness at all) claimed to have had a clear vision of the events from a window at the front of a house here in Panorama.
The way that the audiencias are structured here makes it very hard for the 'other side' to point out discrepancies in a timely manner, but an AI judge would probably have immediately detected and commented on the complete lack of windows on the exterior facade in question.


Monday, February 16, 2026

Exit 8 (2025)

I went into this Cannes crowdpleaser unaware that it is a video game adaptation. This belated knowledge adds a substantial gloss to my impressions of what worked here and what didn't. 





The game concept is experimental and sparse. You are trapped in M.C. Escher’s take on the Tokyo Metro. You must traverse the loop (at least) 8 times, attentive to any anomalies which would require you to turn around and reverse your personal flow. 

Kawamura has clearly thought hard how he could embrace the minimalism of this conceit while at the same time extracting a maximal amount of metaphorical meaning, all within a cinematic packaging that never goes easy on the eerie. 

In the movie making trade transitions from a first person source to the third person perspective are often irredeemably lossy, at least in my experience. 

Here it generally works, as we are presented with one key protagonist ('The Lost Man') whose personal crossroads threatens to become an inescapable cycle and although his crisis and sense of existential traped-ness is not one that I might immediately identify with, the film does carry the apparently universal intuition that we are often inclined to settle into life's loops, and perhaps need to be looking out for those missable (and un-missable) anomalies, which will show us the way to move ahead more fruitfully.

I particularly enjoyed the use of Ravel's Bolero — beginning and end — as a kind of musical emblem of a spiral with a sense of progression.

Saturday, February 14, 2026

Primate (2025)

So 'dangerously close' that one might even say that Roddy McDowall was marginally more convincing as a chimp in terms of both appearance and behaviour.




The critics seem to be against me on this, but I am certain that Dr Jane Goodall would have been with me — this is a profoundly absurd movie, veering towards the reprehensibly so.
Even the Jurassic Park flicks, of which this is a very poor cousin, make a bit more effort with the personalities on both sides of the munch munch divide.


Thursday, February 12, 2026

A muse glimpsed between leaves...

 



Now would seem like an extremely appropriate moment to once more plug this sophisticated and significant contribution by FFA...

'History is a muse you glimpse bathing between leaves. The more you shift your point of view, the more is revealed...

'Citizens of the United States have always learned the history of their country as if it unfolded exclusively from east to west. In consequence, most of them think their past has created a community essentially—even necessarily—anglophone, with a culture heavily indebted to the heritage of radical Protestantism and English laws and values. Immigrants with other identities have had to compromise and conform, sacrificing their languages and retaining only vestigially distinctive senses of their peculiarities as “hyphenated” Americans. The heirs of slaves have had to subscribe to the same process. Natives who preceded the colonists have had to surrender and adapt...

'Of course, the Andy Griffith version of US history is not wrong. The country, like the stripes in the flag, is woven, in part, of a horizontal weft, stretching across the continent. But no fabric exists without a strong warp crisscrossing at right angles from bottom to top...

'The Hispanic United States encompasses more than migrants. Hispanics preceded the United States in what is now national territory. Their presence has been a longer part of the history of the land than that of any other intruders from across the Atlantic, including Anglo-Americans.'

Felipe Fernández-Armesto, Our America: A Hispanic History of the United States.

Keeper (2025)

This what happens, I believe, when a smallish budget, indie horror, otherwise painstakingly made, is not 'joined up' creatively.




That the writer and director are distinct individuals is usually a bit of a red flag on such productions, unless they share an origin story or marriage certificate.
The director has certainly pulled his weight here. Location, performances, atmosphere etc all point to something worth engaging with.
But the underlying mechanism is deeply shallow, so to speak. One quickly finds onself asking questions of both the background mythology and the foreground plot action which this film seems unable or unwilling to answer. Which is a shame, because there's much to appreciate otherwise.



V: ‘No hubo vómito…sólo babas.’


Monday, February 02, 2026

Miskito Repellant

Almost uniquely amongst the major regions of the modern world​, the Caribbean is set up as a patchwork of ​often remarkably distinct cultures and histories ​— an abundance of mini-civilisations, if you like — which nevertheless insist on being addressed in some respects as a coherent whole.

And in as much that Belize is determined to be taken for a properly Caribbean nation, it is thus an almost ideal sample of some of the issues that this state of affairs to presents to 'truth seeking historians'.
​I ask Google for the history of Dandriga, for example, formerly known as Stann Creek...and I am served with a plethora of pages insisting that it was founded by ​the Garifuna people.
The arrival of the Garifuna is 1797 is celebrated every November 19 in these parts, ​t​ypically with a re-enactment involving one or more small boats​, though the majority were ​in fact rather unceremoniously dumped on ​B​elize's southern coast ​by fairly ​substantial Royal Navy vessels.
And ​when that happened, Stann Creek had already been founded​ some time before...by white English Puritans.
They too had been victims of ​a general dumping that was going on around the ​Bay at the end of the eighteenth century.
One hundred years previously a group of strict Protestant traders and farmers had established a colony on an island just off the coast of what is now Nicaragua, naming it​ — as the credulous are inclined — Providence (Providencia today).
The Spanish evicted them in 1689 and they were forced to look elsewhere for the imposition of their ​G​odly ​p​rogramme. Some of them found their way to the lands around the Belize River where a tiny group of ​buccaneers turned loggers were ​already set up, the so-called Baymen. (My ​current understanding is that the village of Placencia on the long sandy peninsula south of Stann Creek was also ​laid down as a Bible basher settlement to begin with.)
In 1783 ​via the 'Paris Peace', the British struck a deal with the Spanish which involved them giving up ​most of their min​iature would-be colonies along the Caribbean coast of Central America (from Honduras to Nicaragua)​, while at the same time achieving some recognition of the ​lucrative wood extraction operation going on behind the cayes.
Spain retained notional sovereignty — until 1862 — but the Baymen would in theory be permitted ​a semblance of their own civil administration ​along with the right to manage a tract of land down to the Sarstoon River, effectively under lease. (A border which remains a source of considerable controversy today​.)
What the Baymen had not ​really bargained for is that the Brits would then attempt to use the opportunity to dump an entire new community right on top of them.
These were mainly refugees from the ​aforementioned lost ​Miskito coastal territories (known as Shoremen)​, plus a whole load of other miscellaneous, ​also multi-ethnic colonists from locations like Jamaica, deemed surplus to requirements by the authorities.
​This stage-managed exodus reminds me somewhat of Golgafrincham Ark B in The Hitchhiker's Guide to the Galaxy by Douglas Adams, a vessel conceived as a way of permanently offloading the 'useless' component of that civilisation, such as hairdressers, telephone sanitisers and marketing girls (tasked with constantly re-inventing the wheel).
In the case of ​the new British-administered Bay of Honduras settlement, the Shoremen were soon joined by rum dealers, Irish labourers, ​army deserters, Quakers, shipwrights, indigenous or semi-indigenous people, freed slaves from the ​island sugar plantation​s, and a whole host of other would-be Caribbean entrepreneurs​ and chancers.
The colonial ministers in London also considered setting up a penal colony, but the shrill complaints of the Baymen and the eventual availability of Australia finally dissuaded them.​
The new situation quickly became what we tend to refer to as 'combustible'. A crucial incident would develop from July 1787, which takes us to the heart of historical matters currently being relentlessly politicised in Belize.
The first ​British military superintendent was Colonel Edward Marcus Despard, a friend of Nelson and later a notorious 'revolutionary' executed in London in 1803 for supposed treason. (He was an Irishman of French descent, so that probably didn't help.)
Despard​ decided that the way forward would be an equitable distribution of land without "any distinction of age, sex, character, respectability, property or colour"​, ultimately based on a lottery rather than the first come first served process that the Baymen themselves had in mind (particularly now that they were outnumbered five to one by the motley crew of newcomers).
The project began with an area Despard duly named Convention Town, to be established as a collection of lots, 100ft x 50ft.
In the first phase of the lottery, Lot 69​ was drawn by ​a chap called Joshua Jones, a recently arrived free black man, and Despard escorted him to his plot​ which, it turned out, had a little hut on it that had earlier on been constructed by one of the ​Baymen's own magistrates, Aaron Young​.
Jones was given permission to demolish said hut and this led to the so-called 'Battle of Convention Town', kicking off first with some diplomatic manipulations by the Baymen, who attempted to circumvent Despard with a direct appeal to Lord Sydney at the colonial office in London, arguing that ‘in the whole of the West India Islands, negroes and mulattoes are considered in a very inferior light’​.
Sydney was inclined to agree, but as British law at the time was un-prejudiced with regards to skin colour, only actively ​discriminating against Jews and Catholics​, the Baymen had to take things a notch further, and so they abducted Joshua Jones​.
Colonel Despard approached the courthouse where Jones was being held — accompanied by a crowd of Shoremen later reported as a 'rabble' — and demanded the release of Lot 69's new owner.
The Baymen ​surrounding the building refused, claiming that it went beyond the superintendent’s authority to ‘accommodate a set of men of colour calling themselves the people of the Mosquito Shore’.
​B​ut Despard just pushed his way through the courthouse door​ and finding Jones sitting inside touched him on the shoulder and ​proclaimed, ‘I declare this man free in the King’s name.’
​For the time being this brought a temporary end to the wider confrontation, but Despard was soon replaced. The Baymen were steadily warming to the idea that you could have all the benefits of British rule without most of the obligations. (Sounds somehow familiar...)
Yet one awkward little fact that tends to slip through the cracks of contemporary Belizean historical consciousness is that Joshua Jones was himself the owner of 17 slaves.
The modern creole inhabitants of this small nation are keen to position themselves as the descendants of oppressed peoples, not of oppressors, but at the time of the Treaty of Versailles the Belize River logging operation was quite small and made use of around 300 slaves, so it's a bit of a stretch to imagine that every dark-skinned person in Belize today descends from this microscale group of highly oppressed people.
And when PM Johnny Briceño tells the government of Sir Keir Starmer that the citizens of the UK collectively owe the people of Belize a considerable debt in the form of reparations, he's definitely hoping that historical imaginations are not stretched to include the dark skinned people who owned other dark-skinned people as chattel property in the Bay of Honduras Settlement, or indeed to consider the undeniable fact that the whole place was still the sovereign territory of Spain until several decades after Britain had abolished the institution of slavery.
But this is 'Caribbean' history as it is now typically constructed, collectively: Briceño wants a share of the smoothed out macro-perspective, where all the tricky and occasionally embarrassing complexities have grown rather faint to the gaze.