Set in one of those near-generic near-future gone awry environments which you would probably hesitate to describe as 'speculative', Mercy does have one or two interesting observations to make about the potential use of AI within a justice system — though for plot purposes these have been shackled to the need for an all-encompassing 'public' cloud which offers zero protection for personal privacy, plus a really quite ludicrous imposition of time pressure.
Monday, February 23, 2026
Mercy (2026)
Set in one of those near-generic near-future gone awry environments which you would probably hesitate to describe as 'speculative', Mercy does have one or two interesting observations to make about the potential use of AI within a justice system — though for plot purposes these have been shackled to the need for an all-encompassing 'public' cloud which offers zero protection for personal privacy, plus a really quite ludicrous imposition of time pressure.
Monday, February 16, 2026
Exit 8 (2025)
I went into this Cannes crowdpleaser unaware that it is a video game adaptation. This belated knowledge adds a substantial gloss to my impressions of what worked here and what didn't.
The game concept is experimental and sparse. You are trapped in M.C. Escher’s take on the Tokyo Metro. You must traverse the loop (at least) 8 times, attentive to any anomalies which would require you to turn around and reverse your personal flow.
Kawamura has clearly thought hard how he could embrace the minimalism of this conceit while at the same time extracting a maximal amount of metaphorical meaning, all within a cinematic packaging that never goes easy on the eerie.
In the movie making trade transitions from a first person source to the third person perspective are often irredeemably lossy, at least in my experience.
Here it generally works, as we are presented with one key protagonist ('The Lost Man') whose personal crossroads threatens to become an inescapable cycle and although his crisis and sense of existential traped-ness is not one that I might immediately identify with, the film does carry the apparently universal intuition that we are often inclined to settle into life's loops, and perhaps need to be looking out for those missable (and un-missable) anomalies, which will show us the way to move ahead more fruitfully.
I particularly enjoyed the use of Ravel's Bolero — beginning and end — as a kind of musical emblem of a spiral with a sense of progression.
Saturday, February 14, 2026
Primate (2025)
So 'dangerously close' that one might even say that Roddy McDowall was marginally more convincing as a chimp in terms of both appearance and behaviour.
Thursday, February 12, 2026
A muse glimpsed between leaves...
'History is a muse you glimpse bathing between leaves. The more you shift your point of view, the more is revealed...
'Citizens of the United States have always learned the history of their country as if it unfolded exclusively from east to west. In consequence, most of them think their past has created a community essentially—even necessarily—anglophone, with a culture heavily indebted to the heritage of radical Protestantism and English laws and values. Immigrants with other identities have had to compromise and conform, sacrificing their languages and retaining only vestigially distinctive senses of their peculiarities as “hyphenated” Americans. The heirs of slaves have had to subscribe to the same process. Natives who preceded the colonists have had to surrender and adapt...
'Of course, the Andy Griffith version of US history is not wrong. The country, like the stripes in the flag, is woven, in part, of a horizontal weft, stretching across the continent. But no fabric exists without a strong warp crisscrossing at right angles from bottom to top...
'The Hispanic United States encompasses more than migrants. Hispanics preceded the United States in what is now national territory. Their presence has been a longer part of the history of the land than that of any other intruders from across the Atlantic, including Anglo-Americans.'
Felipe Fernández-Armesto, Our America: A Hispanic History of the United States.
Keeper (2025)
This what happens, I believe, when a smallish budget, indie horror, otherwise painstakingly made, is not 'joined up' creatively.
Monday, February 02, 2026
Miskito Repellant
Almost uniquely amongst the major regions of the modern world, the Caribbean is set up as a patchwork of often remarkably distinct cultures and histories — an abundance of mini-civilisations, if you like — which nevertheless insist on being addressed in some respects as a coherent whole.





