"The dark art of pretending to like people in order to advance one's self — even though that self has precisely nothing to offer the world barring an extraordinary aptitude for self-advancement."
"You’d think they’d get it. You’d think, wouldn’t you, that when the world falls on your head, you might do something different. It’s like Moses. Comes down from the mountain, still smelling of burning bush, eyes revolving, levitating with the true believer’s va-va-voom, and he bellows: “God, the God — Mr God to you — just gave me these instructions, written in sodding marble, and it's going to get us out of here. After 40 years in this hole, we’re going home. Milk and honey, vineyards, fedoras. Listen up.” Then a bloke at the back says: “Well now, hold on. Hold on. Maybe we shouldn’t be hasty in discarding the golden calf. Granted, it’s been a bit tricky recently, but it just needs a bit of tweaking. Have you ever thought that perhaps what we need is a bigger golden calf?”
"...What is it that restaurants don’t get about their customers? Seeing as customers are poorer than they were last year, their suppliers are being straitened, their manufacturers are shuffling to the edge. What is it about restaurants that makes them think the normal rules don’t apply? I’ve lost count of the number of managers and owners who’ve taken me aside and said, “Touch wood, the times don’t really seem to be affecting us.” Which bit of the global economy do they imagine doesn’t apply to them or their customers? Even if all you feed are bailiffs and accountants, that’s not the point. This is a moment when you need to look at yourself in the mirror of what you do, and realise it isn’t good enough. It might have been all right then, but it’s not all right now. You can’t go on selling squander and snobbery. Customers want to be fed from a different menu; they want to feel differently about themselves."
"By far the most hallucinatory element in The Savage Detectives (and in 2666) is its bizarre, exquisite prose. Having spent years studying linguistic varieties across the Americas, I've never come across a chameleon talent like Bolaño's. He writes in a Mexican Spanish with an Iberian twist but an impostor's accent. How ironic that the best Mexican novel of the last 50 years should have been written by a Chilean."
Ilan Stavans
