Isabella Eklöf's debut film is extraordinary. Can't quite see why it is only scoring 5.6 on IMDB. Critical reviews from the festival circuit were almost all positive, though an extended rape scene (comparable it would seem to the one Gaspar Noé shot for Irréversible) was cut from the version we saw.
I'm not sure it was strictly necessary. The edits between scenes with implied information withholdings work especially well. And this does seem to be as much as chilling exposé of toxic femininity as its gender inverse.
Victoria Carmen Sonne's performance as Sascha is on-the-nose. I've come across a trope-tastic trophy wife here in LAG, with whom - on first acquaintance - I was struck by the most profound, direct, eye-to-eye experience of 'lights are on, but nobody's home'...ever.
Narcisismo perdido; cascarón de carnaval; painted and hollow. Sascha is right there, and yet she isn't.