This map (on which Guatemala appears decidedly Chilean) is the one that that lay on the table of Lord George Germain, 1st Viscount Sackville, Secretary of State of the Colonies in London, 1775-82.
Wednesday, December 10, 2025
Nelson and the Kingdom of Mosquitia
Monday, June 27, 2022
The Marquis de Custine and Russia in 1839.
Lasting Western European perceptions of imperial Russia and its intentions were firmly established by the middle of the nineteenth century.
A profound suspicion of Russian motives had been pumped up by Polish emigrés in London and Paris in particular after the Tsarist suppression of the nationalist November uprising in Warsaw in 1830.
Then, as now, Poland was seen as a last line of defence against the Bear and provided us Brits with one of our customary opportunities to posture as the continent's leading proponent of the 'little chap' in his fight against the big bullies.
Tsarist determination to forcibly convert Polish catholics to Orthodox Christianity was deemed especially appalling by the French.
The Russians were also busy suppressing liberal nationalist ventures in Moldavia and Wallachia, and would soon act against Hungarian autonomy as well.
This was the era when liberal democracy started to take a wider hold in Europe and Russian despotism was perceived as the principal reactionary threat.
In the following century when Russia seemingly switched to a superficially less counter-revolutionary form of imperialism, its influence continued to be understood as tyrannically anti-liberal. (When Karl Marx came to London as a political exile in 1849, he actively campaigned against Russia as the principal enemy of liberty.)
A travel journal by the Marquis de Custine, La Russie en 1839, is seen by many as a highly influential text in the lead up to east-west conflict.
In Russia, the French aristocrat noted...
“An ambition inordinate and immense, one of those ambitions which could only possibly spring in the bosoms of the oppressed, and could find nourishment only in the miseries of an entire nation, ferments in the heart of the Russian people. That nation, essentially aggressive, greedy under the influence of privation, expiates beforehand, by a debasing submission, the design of exercising a tyranny over other nations: the glory, the riches, which are the objects of its hopes, console it for the disgrace to which it submits. To purify himself from the foul and impious sacrifice of all public and personal liberty, the slave, sunk to his knees, dreams of world domination.”
(And maybe a washing machine or two.)
“To have a feeling for the liberty enjoyed in the other European countries one must have sojourned in that solitude without repose, in that prison without leisure, that is called Russia. If ever your sons should be discontented with France, try my recipe: tell them to go to Russia. It is a journey useful to every foreigner; whoever has well examined that country will be content to live anywhere else."
In The Crimean War, Orlando Figes describes some of the impressions feeding into this diabribe, which do appear to remain relevant today...
“Everything about it filled the Frenchman with contempt and dread: the despotism of the Tsar; the servility of the aristocracy, who were themselves no more than slaves; their pretentious European manners, a thin veneer of civilization to hide their Asiatic barbarism from the West; the lack of individual liberty and dignity; the pretence and contempt for truth that seemed to pervade society”
Wednesday, July 28, 2010
The Ghost Writer (2010)
Having recently acquired a taste for a bit of dread and foreboding thanks to Ibáñez's Hierro, and with Hans Blix about to shock and awe the Iraq War enquiry in London by declaring the 2003 invasion illegal, it seemed appropriate on Monday evening to turn to Polanski's well-regarded new thriller, The Ghost Writer. Neither of us have of late been huge fans of Ewan McGregor, especially since he got started with those vanity motorcycle treks. But here he's excellent; even the estuary accent he puts on for the role of 'the ghost' is more than 75% accurate.
Now, anybody who can't spot that this is essentially an absurdified version of the Tony Blair story, shouldn't bother paying to see Inception.
As Adam Lang, Pierce Brosnan plays a prettier, dumber, Scottisher version of the former PM (...and Olivia Williams a certainly prettier and more charismatic version of his wife Cherie.)
Having resigned in a bit more disgrace than Blair, Lang has banished himself to an isolated modernist villa on Martha's Vineyard (which his wife likens to Napoleon's exile on St Helena) in order to complete his memoirs. Unfortunately the current text is a bit of a dog's breakfast and the most recent ghost writer has mysteriously tipped himself off the side of the ferry. Enter Ewan as the unnamed 'ghost', enticed by the offer of $250,000 to get the next flight out to America to finish off the book within a month.
Now, as we all know, Polanski can't really go to Massachusetts, so the northern German and Danish coastlines have been put to use as a fair enough proxy. The receptionist at the ghost's hotel is clearly German but has been dressed up as an eighteenth century New England serving wench in order to divert our attention from the fact. The lady at the ferry terminal ticket booth however gives the game away a bit when she says 'zat vill be fawtee buckz'.
Overall, this is a very good movie, certainly not one to be consigned to the so bad it's (almost) good category, into which must go Polanski's Bitter Moon, which we recently revisited.* It is nevertheless, as the commentator's cliché goes, a game of two halves. In the first period we get a taut and rather theatrical experience rather like an Agatha Christie play, in which we are introduced to a country house full of characters and invited to be suspicious of all of them, at this stage in a fairly non-specific way. It's a testament to Polanski's talent that the mood of unease is so palpable and engaging, even when not much is happening to open the plot up.
The second half begins with a period of discovery and investigation in which the ghost becomes almost certain that his predecessor was murdered, followed by the rapidly ramping up thriller sequence, where credibility does start to get a bit strained.
Why for example, is a serving British foreign secretary able to answer a 212 area code phone at any time of day over an extended period and then able to show up in person within a couple of hours at a remote New England motel accompanied only by a lone goon who looks as if he belongs in a Jean Claude Van Damme movie? And as with Hierro, the 'twist' has rather telegraphed itself at the viewer from an earlier stage in the drama, and I can think of only a few credulous folk who will be rubbing their chins at this point and thinking "you know, there could be some truth in all this..."
Grade: B++
* So good to see a formative Hugh Grant honing his 'steady on old boy' skills!
Friday, June 18, 2010
'Never write off the Germans' ?
Monday, December 10, 2007
Ten favourite novels of 2007
Travesuras De La Niña Mala by Mario Vargas Llosa
The Road by Cormac McCarthy
Broken April by Ismail Kadare
Blood Meridian by Cormac McCarthy
The Sailor Who Fell from Grace with the Sea by Yukio Mishima
Snow by Orhan Pamuk
The Time Machine by HG Wells
Terrorist by John Updike
White Noise by Don DeLillo
Whatever by Michel Houllebecq
Overrated book of the year: The Secret History by Donna Tartt. (Thanks to Palindrome for telling me to re-read it.)
And because I didn't do this exercise twelve months ago, here's my 2006 list:
Sunday at the Pool at Kigali by Gil Coutemanche
No Country for Old Men by Cormac McCarthy
The Invention of Morel by Adolfo Bioy Casares
The Power and the Glory by Graham Greene
Platform by Michel Houellebecq
Mañana en La Batalla Piensa En Mi by Javier Marías
The Outsider by Albert Camus
Disgrace by JM Coetzee
The Eagle's Throne by Carlos Fuentes
The Talented Mr Ripley by Patricia Highsmith
Overrated book of the year: La Sombra del Viento (The Shadow of the Wind) by Carlos Ruiz Zafón.
Thursday, August 16, 2007
Gullibiligy
So bring on the astrologers, tarot-readers, homeopaths, spirit mediums and dowsers...and Deepak Chopra. All The Enemies of Reason and worthy of the famously withering Dawkins scorn. ( See here the appropriate facial expression)
Dawkins thinks it is an utter disgrace that 25% of the British public believe in astrology, apparently more than any single established religion. Of Scientology he says “It’s purely made-up. It just taps into some ‘gullibiligy’. They find some film star or somebody like Tom Cruise or whatever his name is who’s thick as two short planks and he becomes a sort of advertisement.” And as for homeopathy...
“I say to doctors who use homeopathy: if you can identify this you’d have discovered a whole new force in physics. Either there is no effect, in which case you shouldn’t be charging people money, or there is an effect, in which case you should prove it and win the Nobel prize.”
Sunday, February 11, 2007
McCarthyisms #7
For the first eighty pages or so I was inclined to agree with fellow Harry Potter-hater Harold Bloom's opinion that McCarthy's novel stands as one of the greatest literary achievements of our age, but then I started to get a bit bogged down. Up until then I had been enthusiastically telling people that here at last was an author writing in English that I could unequivocally admire, but at around the half-way stage I started to empathise with the critics that had ruled this book more pretentious than portentous. McCarthy does however heave up the drama of his epic in the final third...only to deliver an ending that is on the half-empty side of ambiguous.
More on that in a later post. Meanwhile, it is worth saying outright that, faults and all, Blood Meridian is still a whole lot better than the best novels written on this side of the world in the past 25 years (such as Coetzee's Disgrace.) "Hit and miss verbiage" it may be, but the hits outnumber the misses significantly.
These then are the things that McCarthy is VERY good at representing:
1) Animals, especially canines
"By evening they had acquired a retinue of half a dozen wolves of varying size and color that trotted behind them singlefile and watched over their own shoulders to see that each should follow in his own place."
"Now wolves had come to follow them, great pale lobos with yellow eyes that trotted neat of foot or squatted in the shimmering heat to watch them where they made their noon halt."
2) Lunge /parry/riposte-style dialogue, always without quotation marks
"Kindly fell on hard times aint ye son? he said.
I Just aint fell on no good ones."
3) Dialect
"Aint that the drizzlin shits, he said."
4) All manner of unpleasantnesses
"The idiot was small and misshapen and his face was smeared with faeces and he sat peering at them with dull hostility silently chewing a turd."
"Later when the lamps were lit the heads in the soft glare of the uplight assumed the look of tragic masks and within a few days they would become mottled white and altogether leprous with the droppings of the birds that roosted upon them."
"They were skewered through the cords of their heels with sharpened shuttles of green wood and they hung grey and naked above the dead ashes of the coals where they'd been roasted until their heads had charred and the brains bubbled in the skulls and steam sang from their noseholes."
5) Distant electrical storms and other atmospheric effects
"All night sheetlightning quaked sourceless to the west beyond the midnight thunderheads, making a bluish day of the distant desert, the mountains on the sudden skyline stark and black and livid like a land of some other order out there whose true geology was not stone but fear."
"Tandem storms were blowing down-country from the north and the thunder trundled away in the distance and the air was cold and smelled of wet stone."
"About him lay only the strange coral shapes of fulgurite in their scorched furrows fused out of the sand where ball lightning had run upon the ground in the night hissing and stinking of sulphur."
"That night they could see the fire of the Mexicans reflected in the sky to the east beyond the curve of the earth."
6) Serendipitous first impressions of new townships
"Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along the bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about."
"They passed old alms-seekers by the church door with their seamy palms outheld and maimed beggars sad-eyed in rags and children asleep in the shadows with flies walking thei dreamless faces. Dark coppers in a clackdish, the shrivelled eyes of the blind. Scribes crouched by the steps with their quills and inkpots and bowls of sand and lepers moaning through the streets and naked dogs that seemed composed of bone entirely and vendors of tamales and old women with faces dark and harrowed as the land squatting in the gutters over charcoal fires where blackened strips of anonymous meat sizzled and spat. Small orphans were abroad like irate dwarfs and fools and sots drooling and flailing about in the small markets of the metropolis and the prisoners road past the carnage in the meatstalls and the waxy smell where racks of guts hung black with flies and flayings of meat in great red sheets now darkened with the advancing day and the flensed and naked skulls of cows and sheep with their dull blue eyes glaring wildly and the stiff bodies of deer and javelina and ducks and quail and parrots, all wild things from the country round hanging head downward from hooks."
7) Rural parishes
"He woke in the nave of a ruinous church, blinking up at the vaulted ceiling and the tall swagged walls with their faded frescoes. The floor of the church was deep in dried guano and the droppings of cattle and sheep. Pigeons flapped through the piers of dusty light and three buzzards hobbled about on the picked bone carcass of some animal dead in the chancel."
8) Characterful local drinking places
"The cantina was a single room and there was a hole in the ceiling where a trunk of sunlight fell through onto the the mud floor and figures crossing the room steered with care past the edge of this column of light as if it might be hot to the touch."
9) Evil
The subject perhaps, of a future post...
Thursday, November 16, 2006
Disgrace
"No animal will accept the justice of being punished for following its instincts..."The state of disgrace at the core of Coetzee's Booker-winning novel settles on the life of Cape Town academic David Lurie. At the time we join his story he believes that he has sex, parenthood and animal welfare all sorted, but this mid-life equilibrium soon crumbles around him and he is propelled on a difficult journey, taking in abasement and then self-abasement, before resigning himself to the fact that there will be no going back.
Lurie is at once likeable and loathable, but both in small measure. He achieves a rather mediocre sort of redemption by apparently accepting that the "higher life" might well have been an illusion of youth, fortune and comparative privilege. There's an overriding mood of pessimism in the novel, but no real sense of despair. The whole thing is rather too self-contained, too oblique. Whatever you think of Michel Houellebecq's depiction of the menopaused male's condition, I find its frankness thrilling compared to the layers of symbolism and suggestion with which Coetzee coats his meanings.
It might be an honest book, but honesty cloaked in this much artifice is somehow dishonest. You feel you know what Lurie is thinking on the very relevant issues of sex and race, but the narrator contrives ways of denying us direct access to these inner observations (even though we are told that the disgraced professor has "never been afraid to follow a thought down its winding track").
I suppose some might argue that this is just the point. Lurie feels like an imposter in society, because his instincts are mediated through an aspiration to inhabit a world of more or less pure ideas. He's out of touch with himself. This comedown will bring him closer to both being and relating to"a certain type of person...with fewer complications".
Like Saturday Disgrace takes one man's situation and uses it to expansively touch on many different topics of local interest, yet fails to illuminate any of them in a strikingly original way. As this man is white, middle-aged and erudite, one has to suspect that the author elected not to stray too far from representing his own sensibilities. And as in McEwan's novel, none of the other characters are drawn in great detail. The psychology of Lurie's violated daughter Lucy seems especially sketchy.
This book was recently chosen by an illustrious literary panel as the best English-language novel to come out of Britain (and former colonies, US excepted) in the past 25 years. So I read it with high expectations, only to find that while I can like and admire it, it's not a book I can love.
Coetzee deploys some peculiar metaphors, such as when Lurie declares himself to be cold, as if a goose had trodden on his grave.
Incidentally, I learned last night that the Captain of the overturned ferry The Herald of Free Enterprise was called David Lewry. He too was disgraced and suspended after setting sail with the bow doors wide open.
Tuesday, October 17, 2006
State of Denial
"As for the pretence that Britain was an equal partner in this venture,
the only references to Blair are to how much, or how little, he should be told.
He was not just Bush’s poodle, but one with neither bite nor bark. This is not
just America’s disgrace."


