
Amongst the headline canvasses were Picasso's Dryad (1908) Matisse's The Dance (1910) and Kandinsky's Composition VII (1913), but Surfer and I were both particularly taken aback by Pyotr Miturich's rather timeless portrait (see here) of the composer Arthur Lourié (1915) which could be of any more modern self-regarding Chelsea fogey.
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