Another enjoyable example of a genre that the Spanish seem to excel at — time travel or what I would tend to refer to as reality transfer.
In this treatment two cosmological storms over Catalunya, separated by thirty years, enable the transfer of information via an old TV which changes the course of events and relationships within a close-knit community.
Anyone who sat through all three seasons of Dark, also on Netflix, will either tut tut or marvel at the levity on display here.
Mirage is for that reason tonally interesting and generally rather successful. This is a movie which features a murder, by stabbing and followed by dismemberment, a suicide by jumping off a tall building and the brutal accidental death of a child, yet somehow retains the a mood close to that of romantic comedy / gentle childhood mystery story throughout.
As in Dark the action is set in a suburban environment in which almost every character has been content to spend almost their entire lives. Indeed the German series flagged this up at one point as a possible loose end which would require tightening, but then didn't.
Mirage features a protagonist in the contemporary stream who appears to have entered from outside and is the only character aware of the changes that have occurred, plus two timelines which are effectively shut down by the telly-messaging process, leaving one to ponder what actually happened subjectively to every other sentient being left behind in these realities.
In the German metaphysical mindbender answers to these sort of conundra gave me sleepless nights. I slept rather well after Mirage.