Friday, October 18, 2019

Anna (2019)

If you didn't know that this deliciously eurotrashy movie was un film de Luc Besson, you'd probably guess within the first ten minutes or so. I did. 

It belongs to that evergreen espionage-thriller sub-genre we can refer to as 'The Russian Assassin Babe'. Viewers of Killing Eve will inevitably be drawing some negative comparisons, for Oksana and Anna are like borscht and tears. 

The whole thing resembles a 90's straight-to-VHS escapade, except it has proper thesps like Helen Mirren in it, and it has been set in a version of the 90s that never was, with tech from the latter part of the decade, whilst the USSR is still apparently very much up and running. 

There's an almost farcical scene in a Paris park at the end, which has echoes of the 'EEEEEEVeryone’ moment in Leon, that was at once peak Luc Besson and peak Gary Oldman. 

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